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Lila Odinaev
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Agency contract checklist: the terms a CMO should read twice

An agency contract checklist covers eight clause groups, from scope and fees to rebates, audit rights, data ownership, AI use and exit terms.

An agency contract checklist should cover eight clause groups: scope, fees, agent versus principal buying, rebates, audit rights, ownership of data and work, technology and artificial intelligence (AI) use, and exit. These are the terms that move money or shift control after signature. Markups on principal media ranged from about 30% to 90%.

30% to 90%

The template

Fourteen terms in a marketing agency contract that decide what you pay, what you own and how hard it is to leave. For each one: what to look for in the draft and the question to ask before you sign. It is a reading list for the CMO, to be used alongside your own legal review, not in place of it.

The checklist

1. Scope and deliverables
Look for: a list of deliverables or outcomes, not a description of services. Ask: what happens when we ask for something outside this list, and how is it priced?
2. Fees and rate card
Look for: the fee model (retainer, project, hourly), the rate card by role, and when rates can rise. Ask: which roles and hours does the retainer buy each month, and what happens to unused hours?
3. Media billing, rebates and markups
Look for: who pays media owners, whether the agency earns commissions, rebates or markups on media or third-party costs, and how they are disclosed. Ask: will you pass every rebate and discount to us, and show it on the invoice?
4. Audit rights
Look for: your right to audit billing and media records, how often and on what notice. Ask: can our auditor see the media invoices you receive?
5. Ownership of the work
Look for: who owns the work product once paid for, what the agency keeps (its tools and methods), and licenses for stock images, fonts, music and talent. Ask: when a license expires, who tells us and who pays to renew?
6. Accounts, data and access
Look for: ad accounts, analytics and other platform accounts held in your company's name, with the agency as a user. Ask: if we part ways tomorrow, do we keep every account and its history?
7. Key people
Look for: named key people, your right to approve replacements and the notice the agency must give. Ask: what happens if the people we met in the pitch leave the account?
8. Performance reviews
Look for: a review schedule and the measures each review uses. Ask: what happens when a review finds the work below the agreed level?
9. Term and termination
Look for: the initial term, renewal, termination for convenience and the notice period. Ask: what do we owe if we end the contract early, and for how long?
10. Transition on exit
Look for: the agency's duty to hand over files, accounts, data and work in progress, and to cooperate with the next agency. Ask: what does the handover include, and is it charged?
11. Confidentiality and conflicts
Look for: what the agency may not do for your competitors, for how long, and how it handles your data. Ask: who else in our category do you work for today?
12. Subcontractors and AI tools
Look for: disclosure and approval of subcontractors and the AI or other third-party tools that will process your material. Ask: which tools will touch our data, and where is it stored?
13. Liability, indemnity and insurance
Look for: caps on liability, who indemnifies whom for infringement or data breaches, and the insurance the agency carries. Ask: does the cap cover a claim that our ads infringed someone's rights?
14. Non-solicitation
Look for: limits on hiring each other's staff, their length and any fee. Ask: does the clause stop us hiring someone who applies to us on their own?

What should an agency contract checklist cover?

An agency contract checklist should cover eight clause groups: the ones that move money or shift control after signature. They are scope, fees, agent versus principal buying, rebates, audit rights, ownership of data and work, technology and artificial intelligence (AI) use, and exit. In our reading, the rest of the document matters less once the agency is live.

The figures behind the checklist

The eight clause groups

Clause group What it controls after signature (our reading)
Scope of work What the fee buys and what counts as extra
Fees and retainer How the agency earns, and when that changes
Agent versus principal Whether the agency resells media to you at its own margin
Rebates and incentives Who keeps payments that media owners make to the agency
Audit rights Whether you can check the money, and how often
Data and work ownership Who holds the data, reports and creative at the end
Technology and AI use What tools touch your data, and with whose consent
Termination and transition How cleanly you can leave

How to use it

Take the draft contract and mark each of the eight groups as present, partial or absent. Then compare each one against the template's wording. Any group marked partial or absent goes to counsel before signature. The same list works during selection, covered in our agency selection playbook.

This is not legal advice. The ANA describes its template as a starting point for the development of a customized contract, and your own counsel should draft and review the final terms.

The agency contract checklist you can copy

Copy the table below into your contract review file. Fill in the last column with the clause number once the agency sends its draft. The structure borrows from a published public-sector agreement. The Indiana Department of Administration's master services agreement for marketing and media buying kept legal terms in the body and moved operating detail into lettered exhibits, including a scope of work template, service level agreements and performance metrics.

We think that split is the useful part. Legal terms rarely change. Scope and metrics change every year, so they belong where they can be reissued without reopening the master agreement.

Clause What good looks like (our reading) Question to ask the agency Where it sits
Scope and change control Deliverables listed per job. Terms change only with sign-off from the original signatories Who on each side can approve a change to scope or price? Statement of work, change rule in master agreement
Fees and compensation model Fee built up from named people, salaries, overheads and profit margin Show us how the fee or retainer was calculated Model in master agreement, rates in exhibit
Ownership of work Work made for you is work for hire, assigned to you Which materials will you not assign, and why? Master agreement
Ownership of data and accounts Campaign data reported on an agreed schedule, ad accounts in your name In whose name are the ad accounts and data held? Master agreement, reporting in exhibit
Rebates and non-transparent services The agency acts as an agent, all rebates disclosed Do you buy any of our media as principal? Master agreement
Audit rights You appoint any auditor you choose Will you accept the auditor we name? Master agreement
Key people Named staff and full-time equivalent (FTE) time per person Who is on the account, and at what share of their time? Exhibit
Termination and transition Final files handed over at the end of each job, not only at exit What do we receive during the notice period? Master agreement
Liability Agency answers for loss or damage to your materials in its hands What does your liability exclude? Master agreement

A worked example on the rebates row

Agency volume bonuses (AVBs) can range between 3% and 20% of net media spend. As an example, not a benchmark: on net media spend of $90 million, 3% is $2.7 million and 20% is $18 million. In our reading, that spread is why the rebates row sits in the master agreement and not in a statement of work.

Run the question column in the pitch, before the contract stage. Our agency RFP template has space for the answers, so you can compare what each agency said with what its draft contract says. Have counsel review the liability and termination rows.

How to write scope, change control and fees so they hold

Scope holds when every piece of work traces back to a signed document, and the master agreement says which document wins. A filed agreement shows one way to set this up.

How the filed agreement built scope

The master marketing agreement between GroupM Worldwide (doing business as Modi Media) and Papa Murphy's, dated September 7, 2016, let the agency provide certain advertising and marketing services (as described herein) on a non-exclusive, project basis. Work moved through work orders, and those work orders shall not take effect until mutually executed by both parties. Where the documents conflicted, the terms of this Agreement shall control unless otherwise expressly specified in such Work Order or Change Order.

Change control had a threshold. A change order moving compensation by 25% or more of the total compensation provided in the related Work Order needed both signatures. Below that, the parties could merely confirm the Change Order in writing, via email, facsimile, U.S. mail or other correspondence.

The same agreement protected the agency on cuts. A client reduction of more than ten percent (10%) of the compensation left the client paying the original amount for a period of ninety (90) days after the date of written notice of such reduction. Read that clause before you plan a midyear cut.

Clause What to check (our reading)
Order of precedence Which document wins, and whether a work order can override it
Change order threshold The signature trigger as a share of work order value
Reduction protection How long original fees continue after a cut
Exclusivity Whether it binds both sides

On exclusivity, one media audit firm advises that whichever basis you choose, the important thing is to ensure the agreement is reciprocal.

Pricing exhibits and fee disclosures

A public-sector contract with McFarland PR & Public Affairs attached Exhibit A = State of Indiana Pricing and Exhibit C = Budget Quotation Sheet. We think a rate exhibit plus a per-job quote form keeps each work order priced the same way. Link both to your scope of work.

Who owns the creative work and the data?

Ownership clauses tend to read cleanly and fail at the edges: what counts as a deliverable, when title passes, and what the agency keeps. Earlier sections covered the work-for-hire assignment and the schedule for final files and campaign data. This section covers the rest.

Start with the trigger. In the 2016 master agreement between GroupM and Papa Murphy's, the company owned work "prepared uniquely for Company hereunder, excluding any third party research and materials included in such reports" (SEC EDGAR). Intellectual property rights passed "upon payment of Agency’s invoices associated with each such Deliverable" (SEC EDGAR). The same contract let the agency suspend all services if payment was not received within ten days after it was due (SEC EDGAR).

We think that combination lets one disputed invoice hold up both the work and the rights to it. We would ask for title to pass deliverable by deliverable as each is paid, with undisputed amounts paid and disputed ones set aside.

Asset What to require (our view) Wording to check
Deliverables Assigned to you on payment of that item's invoice The trigger: per deliverable or full and final payment
Working files Layered source files, fonts and project files included Whether the definition stops at finished output
Third-party material A list of licensed elements with terms and expiry Carve-outs for stock, music, research
Ad accounts Opened in your company's name, agency added as user Who is the account owner of record
Platform logins Admin access held by your staff Removal of agency access at exit
Campaign data Yours, exportable in a stated format Any agency right to reuse or aggregate it

The agency's own tools and templates can stay theirs. Ask for a license to anything embedded in your deliverables so you can keep using them after the relationship ends.

The AI clause needs a definition

The prior-consent requirement for AI noted earlier has a gap: the ANA template does not define what AI is (MediaPost). Many media agencies already use machine learning that some would treat as AI (MediaPost).

Have counsel write the definition into your contract. A working version names three categories: generative tools that produce copy, images, video or voice; automated bidding and optimization; and any model trained on your data. Then require a register of tools in use, a bar on your data training models used for other clients, and a statement that AI-assisted output counts as a deliverable assigned to you.

For media data, the 2023 revision added a transaction data schedule listing specific data to obtain from vendors (MediaPost). Attach it, and state that the data belongs to you.

What are agency rebates and principal media?

A rebate is money or value a media supplier passes to your agency because of the spend the agency places, often your spend. The study K2 Intelligence ran for the Association of National Advertisers (ANA) described three forms: cash rebates, rebates as inventory credits and service agreements for non-media services such as consulting or research.

Rebate form How it reaches the agency Contract question to ask (our reading)
Cash rebate Payment from the media owner, sized to spend Must every payment be disclosed and passed back to us?
Inventory credit Free media given to the agency Who owns the credit, and where is it reported?
Service agreement Supplier pays the agency for research or consulting Is any supplier fee tied to our volume?

What the study found

Principal media

In a principal transaction, the holding company purchases media on its own behalf and then resells it at a markup. Those markups ranged from approximately 30% to 90%. This is the opposite of the agent role covered in the checklist above.

The updated ANA template has a non-transparent services section that replaces concepts from the previous version relating to principal or inventory sale and principal or inventory mark-up. Members had often agreed to non-transparent services without fully understanding them. Left loose, such a service can end up as a line item on a SOW or media plan, meaning a scope of work. The template answers this with an approvals process that sets what the agency must include in each request, plus reporting by media channel.

A worked example

As an example, not a benchmark: on $90 million of annual media spend, a supplier service fee equal to 12 percent of that spend would come to $10.8 million. In our reading, that is the scale at which a quiet line item becomes a board question.

Three steps for the redline:

  1. Require every non-transparent service to go through the approvals process in writing, signed by someone in your compliance chain.
  2. Ask for channel-level reporting of each approved service, each quarter.
  3. Add a clause that any supplier payment tied to your volume is disclosed and credited back to you.

What audit rights should an advertiser have?

The Association of National Advertisers (ANA) template treats audit rights as a set, and each term closes a different gap. When the ANA revised the template in June 2023, it added definitions of compliance audits and performance audits because many advertisers run the two in separate silos. Put both definitions in your contract, even if you only run one type today.

In our working definitions, a compliance audit checks whether the agency did what the contract says: billing, rebates, approvals. A performance audit checks whether the media it bought delivered what was promised.

The terms to ask for

Term What to write in Why we ask for it (our reading)
Two defined audit types Separate definitions for compliance and performance audits Each audit team works from a clear mandate
No cap on audits No limit on how many audits you may run A cap lets the agency plan around your audit calendar
Freedom to combine or add Audits may run together, and new types may be added Media buying changes faster than contracts do
Auditor of your choice You appoint the auditor, and the agency cannot veto the appointment An agency-approved auditor is not independent
Record access Records behind rebates, unbilled media, discounts and staffing Without the records, audit rights cannot be exercised

The ANA template keeps no limit on the number of audits that may be performed, with flexibility to add audit types or run audits together. One consultancy advises that you should have the right to appoint any auditor of your choosing.

Record access ties back to the transaction data schedule and the staffing disclosures covered earlier. Add two items those sections did not cover. The same consultancy states that you are entitled to receive any EPDs received by your agency, meaning early payment discounts. It also advises negotiating to receive the benefit of any and all unbilled media on your account.

A worked example

Here is an example, not a benchmark. Your auditor samples 90 media invoices and finds that 12 have no matching vendor record, so 78 reconcile. The contract should say what happens next: the agency produces the missing records within a fixed window, say 30 days in this example, and unresolved amounts are credited back. Without that clause, a finding has no remedy.

Questions to put to the agency before signing

  1. Will you accept separate written definitions of compliance and performance audits?
  2. Will you accept no limit on the number of audits, including combined audits?
  3. Will you accept any auditor we appoint?
  4. Which records will you produce for rebates, unbilled media, early payment discounts and staffing, and from which systems?
  5. Do your vendor contracts let you pass those records to our auditor?

If the agency hesitates on the fifth question, we would expect gaps in the records available for the first four.

Key people, termination notice, transition and liability

Earlier sections dealt with what the agency does and what it costs. This one covers who does the work, how you measure it and how you leave.

Name the people, then control the swaps

A media agency contract should include a ‘key personnel and FTE overview’ section, detailing the names of the people on the account. We think a named list matters only if it comes with a replacement rule. That rule should give you written approval over any change to a named lead, a stated handover period and the right to interview the replacement. Without it, the pitch team can leave after signature and the contract has no remedy.

Put service levels and metrics in exhibits

The Indiana Department of Administration's master services agreement with McFarland PR & Public Affairs attached Exhibit F = Service Level Agreements and Exhibit G = Performance Metrics as separate schedules. Separate schedules can be updated without reopening the whole agreement. On the media side, strong media agency contracts explicitly detail KPIs the agency has promised to deliver during the media agency pitch process, and a good contract also details the methodology used to determine if these KPIs have been met. We think a missed metric should be a stated ground to exit, after a written cure period. Otherwise the metric is only a report.

Notice and transition: a worked example

Take a 90-day termination notice, as an example and not a benchmark. If the last 30 days are a transition window, the agency owes 60 days of normal service before handover begins. The Indiana contract required the agency to provide final print, web ready and native files at the completion of each job and gave the State full, immediate, and unrestricted access to the Materials and to Contractor’s work product during the term. A transition plan should list ad accounts, data exports, logins and files, each with an owner and a date.

Caps and indemnities: questions for counsel

The Indiana agreement made the contractor responsible for any loss of or damage to the Materials in its possession, required it to promptly refund the consideration paid, pro-rated through the date of non-performance on prepaid services, and stated the State does not agree to pay any penalties, liquidated damages, interest or attorney’s fees except as state law allowed. Your terms will differ. Take these questions to counsel.

Term Question for counsel (our reading)
Liability cap Does the cap exclude data breaches, intellectual property claims and media funds held by the agency?
Indemnity Does the agency cover claims from creative it produced, including third-party content?
Prepaid fees Is unused prepaid retainer refunded pro rata on exit?
Transition Do service levels stay in force during the notice period?
Key people Is unapproved removal of a named lead a ground to terminate?

A worked example and the steps to run the review

Here is the checklist applied to one contract. The figures are an illustrative example, not a benchmark. Take a $12 million media and fee contract with one media agency.

The example, scored row by row

The change-order clause sets an hourly rate but no cap. Over the year the team raises 30 change orders at 12 hours each, which is 360 hours. Those 360 hours at $90 an hour come to $32,400.

Checklist row What the contract says Annual cost in this example (our reading)
Change orders Hourly rate, no cap $32,400
Audit rights Present, no limit on frequency None found
Ownership of work and data Assigned to the advertiser None found

That is why we score the contract before the invoices.

The review sequence

  1. Pull the paper. Collect the master services agreement and every statement of work signed under it, with amendments. A clause fixed in the master agreement can be undone in a statement of work.
  2. Mark each row. For every checklist row, record one of three states: agreed, missing, or contradicted elsewhere. Note the clause number next to each mark.
  3. Send the agency questions in writing. One question per open row, with the clause number. Ask for written answers by a set date, so the reply becomes part of the file.
  4. Take open items to counsel. Give your lawyers the marked checklist and the agency's answers, not the whole contract with no guide.
  5. Report the result. Send the chief financial officer and the board a one-page summary: rows agreed, rows still open, and the annual cost the example method puts on each open row. Our CMO board deck template has a slot for it, and our CEO and CFO alignment guide covers how to frame the conversation.

The reference draft

Use the Association of National Advertisers (ANA) template as the draft you compare against. The ANA released the June 2023 version of its master media buying agreement. It was developed by ANA's outside legal counsel, Reed Smith LLP. The ANA describes it as a starting point for a customized contract and says changes in template provisions should be expected in negotiation. Where your contract departs from the template, step 2 should record whether the departure was a deliberate choice or an oversight.

What this page does not cover

This page does not cover how to select or pitch an agency, and it does not rate or recommend any agency, auditor or template. It does not address the law of any particular jurisdiction. It is not legal or financial advice: your own counsel should draft and review the final contract terms.

Related on CMO Tribune: Marketing agency RFP template: sections, pricing table and scoring weights that make answers comparable; How to choose a marketing agency, with a five-stage method and a scoring sheet you fill in yourself; Marketing board deck template: eight slides and the numbers a board expects.

Questions

What should be in a marketing agency contract?

Cover eight clause groups: scope, fees, agent versus principal buying, rebates, audit rights, ownership of data and work, technology and artificial intelligence (AI) use, and termination. Add named key people and a liability clause. One public-sector agreement kept legal terms in the body and put scope, service levels and performance metrics in exhibits, so those could be reissued without reopening the master agreement.

Who owns the creative work an agency produces?

Work made for you should be work for hire, assigned to you. In the 2016 GroupM and Papa Murphy's agreement, rights passed on payment of the invoice for each deliverable, and third-party research was excluded. We would ask for title to pass deliverable by deliverable, for working files to count as deliverables, and for a license to any agency tools embedded in your work.

What are agency rebates and principal media?

A rebate is money or value a media supplier passes to your agency because of the spend it places. The 2016 study for the Association of National Advertisers (ANA) described cash rebates, inventory credits and service agreements, with rebates running from 1.67% to about 20% of aggregate media spending. In a principal transaction, the holding company buys media on its own behalf and resells it at a markup, which the study put at about 30% to 90%.

What audit rights should an advertiser have in a media agency contract?

Write in separate definitions of compliance audits and performance audits, no limit on the number of audits, and the right to appoint any auditor you choose. Require access to records behind rebates, unbilled media, early payment discounts and staffing. The ANA's 2016 advice was that audit rights should cover the holding company and any affiliated companies that touch your business.

How much notice is normal to terminate an agency contract?

This guide uses a 90-day notice as an example, not a benchmark. If the last 30 days are a transition window, the agency owes 60 days of normal service before handover begins. Check that service levels stay in force during the notice period and that final files are handed over at the end of each job, not only at exit.

What happens to ad accounts and data when you fire an agency?

That depends on the contract. Ad accounts should be opened in your company's name with the agency added as a user, and your staff should hold admin access to platforms. Campaign data should be yours and exportable in a stated format, and the transition plan should list ad accounts, data exports, logins and files, each with an owner and a date.

Sources

  1. ANA Releases Updated Media Buying Contract Template, ana.net
  2. What marketers need to know about the ANA media transparency report, Marketing Week, 7 June 2016
  3. ANA Revises Media Agency Contracts, Requires Prior Client Consent For Using AI, MediaPost, 6 June 2023
  4. Master Services Agreement, Contract #0000000000000000000038029 (Indiana Department of Administration and McFarland PR & Public Affairs Inc), Indiana Department of Administration
  5. Media auditing: 20 Key Questions To Assess Your Media Agency Contract, abintus.consulting, 5 April 2022
  6. Master Marketing Agreement between GroupM Worldwide, Inc. and Murphy's Marketing Services, Inc. (Exhibit 10.32), U.S. Securities and Exchange Commission (EDGAR), 7 September 2016
  7. Media Transparency Initiative: Overview, ana.net

Written by the CMO Tribune Desk and edited by Lila Odinaev. Every factual sentence was checked against a passage on the source it cites. See how we work, or report an error on the corrections page.